Pelicans

Art is so extremely subjective, that bringing someone you don’t know much about a painting sight-unseen can be “risky business”.  Choosing one out of my collection that is of that person’s local environment seemed to be a safer course, as this would be a gift.

A family lost everything they had in a house fire, and I really wanted to help in any small way to restore their abode. In my life, books and art are at the forefront of activities and interest, so that is what I brought for them to sort through and choose from.

I was really blessed when the woman looked at the painting of pelicans and declared that would be perfect for her husband, because he loves the birds.

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“Morning Throw Bill” – 20″ x 30″ – Oil ©Bohlender

I enjoyed the pelicans along the gulf coast, their communal living and primeval appearance. Their fishing was exciting to watch, as they dive and catch.

Other pelican pieces painted include these two:

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“Lovely To See You Again” – 22″ x 28″ – Oil ©Bohlender

“Lovely to See You Again” was donated to an Air Force fund raising effort. I do not know who owns this piece, but I loved the “comedy” in their communion.

 

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“Friendly Gossip” – 16″x 16″ – Oil ©Bohlender

The comfortable fold of their webbed feet, the apparent interest of the one who is listening to the one joyfully divulging its treasured bit of juicy news.

This piece is a permanent part of my own collection.

 

Community Library

I was reminded of this work by a post on FaceBook by the people who run the George Walker House Bed and Breakfast in Paradise, Arizona. It snowed there today.  But I’m not writing about them today, even though you might look them up on the web. They are expert birders, chocolate makers, and talented stained glass makers, as well as gracious hosts.

There are about nine different biomes in the “Sky Islands” area of Arizona, New Mexico  and Mexico, ranging from arid desert to 7000 ft. mountains.  Different plants and animals survive and thrive in desert and mountains, and it is one of the most prominent birding places, being on a migrational route. But I am not writing today about the natural splendor of the area, or the National Monument, (though I will in the future), today only about a community in the Chiricahua Mountains that is named “Portal”.

The climate and acclaim of Portal draws people from all over the United States, many upon retirement. Portal lays claim to a very educated population, bringing with them their expertise in all matters of science including stargazing, biology, geography, history, entomology, and more. The Chiricahua Gallery is there, with some very good art and some of community interest. Many people volunteer to “sit the gallery” to keep it available, and they offer community lessons in art. They are worthy of acclaim as well, as active and knowledgeable as they all are. However, that is not what I am writing about today, either.

In the center of the charming hamlet is an old school building, that has been converted into a library, setting immediately next to the post office.

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Portal Library – Watercolor

Sycamore tree and American Flag by the porch of the post office. Both are watercolor.

The second flag painting is a tribute to 9-11. There are watermarks on these images, just not as apparent as Tom’s painting.

The library in itself is a special little place, having a fine selection of books and friendly volunteers. The volunteers that make it even greater, offering library help, but also special activities throughout the year for children and adults. It is a community gathering place. Many “meet and greet” at the post office and library.

The Library painting hangs in the Library in Portal. It is an honor to “hang” there. I do not remember where the other two are, but I loved painting them. I love the sycamore tree, the creek running near by, and the memory of times there.

Portal also boasts of an exceptional all volunteer fire department and rescue.

I enjoy working in watercolor at special times, when I want to cozy in and work smaller. It is a special mode to sketch in the drawing, working from light to dark – instead of dark to light as in oil painting. Leaving the white spaces bright enough is vital. While working, watercolor is a much more precise medium than oils – there is little room for error, even though in other ways there is so much more freedom.  I keep some rags ready for absorbing. My brushes are always Windsor & Newton Series 7 – I think they are the best in every way. My paints are usually either Windsor & Newson or Daniel Smith.  I really like the heavier watercolor paper, preferably Arches 300 lb. rough or cold press, (but I do not scrub much).